Archive for A Suivre

Pierre Christin (1938-2024)

Posted in Books, Kids, pictures with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 15, 2024 by xi'an

The BD-ist Pierre Christin died on 03 October. His heritage is a huge collection of graphical novels he scenarized. Many of them masterpieces, from the political Black Order Phalanges with Enki Bilal, where a group of [very] former International Brigadists (pictured in 1937 on the cover below) reconstitutes to fight to death a parallel group of fascists who fought in Franco’s war against the Spanish Republic and rerouped (circa 1980)  againstprogressive forces throughout Europe, followed by a scathing description of the decaying USSR in Hunting Party, again with Bilal, to


the science-fiction series of Valérian (and Laureline) [along with Jean-Claude Mézière] that spans decades and follows societal progress by seeing Laureline becoming the main character (rather than her female partner Valérian), fighting dictators, conglomerates, colonialism, and pollution—more a space social drama than a space opera, as he once stated—, to

the 86-ish ecology cum fantasy trilogy, La Croisière des Oubliés, again with Bilal. Plus other great books that I read and re-read during my (extended!) childhood, mostly in the BD journals that were created over that period, from Pilote to Métal Hurland, À Suivre, &tc. He was also involved in teaching, from a visiting position in contemporary French literature in USU, Salt Lake City, to a professorship in journalism and communication at the University of Bordeaux, where he created the first French public school of journalism, now Institut de journalisme Bordeaux Aquitaine. A great artist, may he now roam forever the deep space landscapes he and Mézière created!

Ted Benoît (1947-2016)

Posted in Books, Kids, pictures with tags , , , , , on October 9, 2016 by xi'an

While not the most famous of French comics artists, Ted Benoît was a significant contributor to the “ligne claire” school in the continuation of Hergé and Jacobs. His masterpiece is called Berceuses électriques (1982), published at a time when I regularly read comics magazines like A Suivre, l’Écho des Savanes or Métal Hurlant (besides Charlie). The story itself is surrealistic or just plainly irrelevant, while the dialogues and drawings are both brilliant, set in an America borrowed from the 1950’s Noir novels, plus a dose of cynism from the 1980’s. A decade later, Benoît also contributed to the “Blake and Mortimer” series, after Jacobs’ death, drawing “L’Affaire Francis Blake” (1996) and “L’Étrange Rendez-vous” (2002). Both impeccable graphical outcomes, if somehow weak in the plots.