Archive for heist

a journal of the Hugo year (post ultimum, flight mode)

Posted in Books, Travel, Wines with tags , , , , , , , , , , , , , , , , , , , , , , , on August 18, 2026 by xi'an

Still banking on the Hugo Award package, as I realised the Best series category also cames with most of the novels, I started reading th Goblin King series, by Katherine Addison, quickly realising I had already read (and enjoyed) the first volume. Thanks to being stuck in Sapporo airports for an unspecified duration, I went through two of the volumes, which are enticing enough if somewhat slow and focussing on very mundane aspects like the layering of the city where the action takes place and its tram lines. (And never omitting a single meal or tea type, the more annoyingly because these types are all made up!) Another shortlisted series is John Scalzi’s Old Man War, of which I already read four volumes and enjoyed very much, if not to the point of reading the seven of them. Maybe later! I also read the novelette Automatic Noodle, which features a group of abandoned robots starting a (Xi’an!) noodle company by making almost perfect biang biang pulled noodles. (With the intricate ideogram 𰻞𰻞麵) After almost a month in Japan eating soba at least once a day (!), it should have appealed to me but it did not, as the robotic aspects were very light while the whole story fell flat and stale, far from the expected dish! But it made me curious to attempt to try making the noodles..!

Watched (over the Arctic Ocean!) Au revoir là–haut (See you up there), a 2017 movie by Albert Dupontel about a couple of WW I trench veterans conceiving a heist by selling war memorials that never materialise. The story is told on the fantastic realism side, methinks too much!, but it vividly reminded me of a WW I museum in La Somme I visited a few years ago, where a whole section was dedicated to the (rough) treatment of disfigured soldiers with missing face parts… And of the birth of neuroplastic surgery.

a journal of the conquest, war, famine, and death year

Posted in Books, Kids, pictures, Statistics, Travel, University life with tags , , , , , , , , , , , , , , , , , , , , , on July 11, 2023 by xi'an

Read Les chiens et la charrue (Le cycle de Syffe, tome 3 ) by Patrick K. Dewdney, which came out after a long hiatus (esp. when missing the parution in September 2021!). It thus proved hard to remember the complex structure of this universe, as well as the names of characters from the earlier volumes. But after one slow third of the book, including an endless river slog, the right pace set in and I read the remaining 400 pages quite quickly (the trip to Jeddah helped!), with a climactic ending, despite a few too many coincidences. Looking forward the next tome, next year maybe?! While still being stuck in the (disappointing) last tome of Christelle Dabos’ The Mirror Visitor, I read another Max Gladstone’s, Dead Country (The Craft War I), within a few days, despite some weaknesses in the style (heavy infodump disguised as teacher/pupil conversations) and in the story. Unsure I will pursue this series.Had an enjoyable early dinner at Otto, a Rue Mouffetard izayaka. Despite some highlights of the menu being unavailable, the remaining dishes were worth the visit! (And the bet that there would be a table available on a warm Saturday evening.)

Watched Korean Money Heist, which, I am told, is the K clone of La Casa de Papel (I had not watched). Very light and requiring a high tolerance for unlikely so unlikely twists, but with very good actors who managed to keep the pace till the last episode. With a appearance supposedly of the martyr city of Kherson, even though it is actually Hallstatt, Austria. (Just why would a North Korean student read Mayakovski’s poems in a Latin language while in Vladivostok?!)

da 5 bloods [film review]

Posted in Books, pictures with tags , , , , , , , , , , , , , , , on July 12, 2020 by xi'an

I was most excited to see the new Spike Lee’s film, Da 5 Bloods, available on Netflix. As I had liked very much his much earlier films like She’s gotta have it, Do the right thing or Clockers. (Although I feel the original book had more impact, I felt.) But I was rather disappointed by this one. (Although I related with the few pictures taken at the War Remnants Museum in Ho-Chi-Minh City, which I visited in 2013!) As I felt it was wasting most of the story for the allegory… The heist story was implausible from start to end (which is admittedly an usual feature of heist stories), with the five guys going into the Vietnamese jungle on their own, 50 years later!, which makes them 70 years old at the very least, with a small back-pack each but enough to carry a complete metal detector, and finding gold and bones (not a true spoiler I think!), not worrying about mines (until it is too late). Some of the actors are terrific, especially the (PTSD) out-of-control Delroy Lindo who essentially carries the film and keeps it alive. But other characters remain dreadfully under-exploited, counter-productively for the story. Which (literally) implodes with too many divergent threads. All unraveling into botched conclusions and ending up into a mess of the movie, the message eventually shooting the messenger…

On top of this I also think the film is presenting a very one-dimensional view of Vietnam, from a postcard idyllic vision with buffaloes in rice paddies, to thugs working for a French crook. With the overused tropes of the faithful prostitute and the cigarette smoking femme fatale. Except the later is a propaganda speaker on the Vietcong radio and unlikely to smoke American cigarettes… And the 1950’s (pre-Điện Biên Phủ) attitude of the said French crook (including the “bad guy” Luger gun!) does not fit either. Of course, these anachronisms and clichés could be understood as a second degré choice, i.e. as a pastiche of earlier American Vietnam war movies, from Apocalypse Now (explicitly referenced at the beginning of the movie, copter, river boat trip and Khmer temple included) to The Deer Hunter (especially the Vietnamese xenophobia), to Rambo (with cartoonesque shooting scenes). Collating epoch newsreels with blurry and dreamlike recalls of the actual experience of the 4 veterans looking their present age is a stylistic choice, obviously, but its repetition does not help in creating structure or credence in the movie. Especially when the current day battles in the movie are not any further realistic, although intended to be so…

Red seas under red skies

Posted in Books with tags , , , , , , on November 12, 2011 by xi'an

The sequel to the [terrific] Lies of Locke Lamora by Scott Lynch has this somehow lame title, Red Seas Under Red Skies… I liked very much the first volume, despite it being a heist, and I was looking forward to the sequel. While it is not a complete disaster, it suffers from the comparison with the first book. (Some reviews disagree. This one with impressively detailed arguments!) The setting is both similar (two thieves busy stealing the most wealthy man in a city and building enemies in the process) and dissimilar (no unity of location as the main characters become pirates under constraint and make a sea trip to a pirate Hispaniola-like island). As in the Lies of Locke Lamora, the central characters are well-drawn and engaging if not always coherent (the dialogues are often completely off-key wrt dramatic situations). Life on a pirate ship is simply too civilised to be credible. More generally, the whole story is just too far from plausible and one could equip a whole pirate ship with the number of rigs required to suspend disbelief! One reason is the unnecessary intricacy of the story which involves at least three plots, each with several subplots. When everything unravels in the final pages, with double-acting agents being revealed and tricksters being tricked, it happens just too suddenly to be completely enjoyable. Nonetheless, a rather pleasant light read. From what I read on the author’s blog, there does not seem to be a chance for further volumes soon, although five more were planned in the Gentlemen Bastards series, since he suffers from severe depression… ’tis too bad, really, as he has the skill to construct (too) elaborate stories and to depict deep enough characters…