Archive for True Detective

a journal of the chaos, conquest, war, abundance, and death year

Posted in Books, Kids, Mountains, pictures, Running, Travel, Wines with tags , , , , , , , , , , , , , , , , , , , , , , , on September 21, 2024 by xi'an

Read The Daevabad Trilogy by S. A. Chakraborty within a few weeks, after I started the first book in a NE Seattle Barnes & Noble on a bookstore long stop between two Airbnb‘s. A suitable choice to read out the sleepless bouts induced by the jetlag. Some original ideas around a Middle East djinn kingdom, a compelling enough central character, and a page-turning scenario, but also too much info-dumps, a syncretic mismash of religions, and a terrible tendency to find excuses for mass-murderers…

Made heaps of fig preserve and jam (with honey, lemon, maybe too much lemon, and chia seeds) as our fig tree delivered an outstanding harvest, at the end of a particularly wet summer (even the tomatoes more than survived our three week absence!). And radish leave pesto (while waiting for my own radish harvest to come out). Also cooked an octopus for the first time, which proved much easier than I feared (no freezing, no beating, just a long enough boil) and delivering! And zucchini spaghetti every other day or so, since large late season zucchinis have now appeared in the local markets.

Watched the entire True Detective Season Four, featuring Jodie Foster and Kali Reis as the detective duo (and mostly women as the leading characters). It widely differs from earlier seasons for so many reasons… It is set in coastal Alaska (if shot in Iceland), during the long night (as in Prudhoe Bay where it lasts close to two months). It seems to involve supernatural events, connected with First Nations myths and traditions. Possibly overdoing it.  It does involve First Nations, quite forcibly, as Foster’s character’s step-daughter is a Native Iñupiat woman, searching for her roots. And many other characters are from that community. A major environmental pollution by the local mine leading to still-births (ghastly moment when Foster visits the storage with coffins waiting for thaw to be buried). Scientific MacGuffin very weak and further scenario impossibilities. (Also an orange wool hat turning green. Or blue.)  The end is not that satisfactory, from the resolution of the scientists disappearance to the duo escaping consequences of their actions. But this is a great show, almost par with Season One.

True Detective [review]

Posted in Books, pictures with tags , , , , , , , , on April 4, 2015 by xi'an

Even though I wrote before that I do not watch TV series, I made a second exception this year with True Detective. This series was recommended to me by Judith and this was truly a good recommendation!

Contrary to my old-fashioned idea of TV series, where the same group of caricaturesque characters repeatedly meet new settings that are solved within the 50 mn each show lasts, the whole season of True Detective is a single story, much more like a very long movie with a unified plot that smoothly unfolds and gets mostly solved in the last episode. It obviously brings more strength and depth in the characters, the two investigators Rust and Marty, with the side drawback that most of the other characters, except maybe Marty’s wife, get little space.  The opposition between those two investigators is central to the coherence of the story, with Rust being the most intriguing one, very intellectual, almost otherworldly, with a nihilistic discourse, and a self-destructive bent, while Marty sounds more down-to-earth, although he also caters to his own self-destructive demons… Both actors are very impressive in giving a life and an history to their characters. The story takes place in Louisiana, with great landscapes and oppressive swamps where everything seems doomed to vanish, eventually, making detective work almost useless. And where clamminess applies to moral values as much as to the weather. The core of the plot is the search for a serial killer, whose murders of women are incorporated within a pagan cult. Although this sounds rather standard for a US murder story (!), and while there are unnecessary sub-plots and unconvincing developments, the overall storyboard is quite coherent, with a literary feel, even though its writer,  Nic Pizzolatto, never completed the corresponding novel and the unfolding of the plot is anything but conventional, with well-done flashbacks and multi-layered takes on the same events. (With none of the subtlety of Rashômon, where one ends up mistrusting every POV.)  Most of the series takes place in current time, when the two former detectives are interrogated by detectives reopening an unsolved murder case. The transformation of Rust over 15 years is an impressive piece of acting, worth by itself watching the show! The final episode, while impressive from an aesthetic perspective as a descent into darkness, is somewhat disappointing at the story level for not exploring the killer’s perspective much further and for resorting to a fairly conventional (in the Psycho sense!) fighting scene.