Archive for olive tree

a journal of the [end of the] chaos year

Posted in Books, Kids, Mountains, pictures, Running, Travel, Wines with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on December 31, 2025 by xi'an

 Read the delightful Barrowbreck by Andrew M Hurley, a great collection of short stories is made coherent by its unity of place, a lost, dark, valley between Lancashire and Yorkshire. The stories unfold from the Bronze ages till a near and disastrous future. While the book is often presented as horror fiction, I rather see it as an exploration of an alternate reality, a fantasy just outside our own world. Not inducing dread or unease in the reader. The author demonstrates great skill in setting substantial characters and situations within a few pages, in translating the inner feelings of highly diverse people and, above all, in refraining from providing a definite conclusion to his stories. Some of them are striking enough to remain in my memories for a while!

Apart from an Indian-style vegetable six dishes feast, did not experiment much in the kitchen, in part due to my travelling one week out of two between November and December. But harvested and prepared my olives after collecting about 3 litters of them. (I also tasted a Banh Chhev (in Petit Cambodge, Paris but it failed short from my expectation, neither crispy nor sizzling. And cold.)

Watched As You Stood By, a Korean drama about domestic violence. And then Last Samurai Standing. Adapted from the novel of the same name written by Shogo Imamura. And the rather hilarious movie Good News, a South Korean disaster black comedy film playing a similar trick to Good bye Lenin. Gave up watching an unlucky series of terrible films and TV series. From the cheezy A Man on the Inside (which surely makes Agatha Christie cringe in her grave), to Ichikei’s Crow (a highly unrealistic sequence of near-judicial errors in a Tokyo tribunal, with the redeeming feature of a three-leg crow logo, Yatagarasu, also a guardian on the Kumanokodo), to the pretentious Frankenstein by Guillermo del Toro (where over-prefect Victorian tableaux and crepuscular lighting games kill the scenario even before it is brought to life by Dr. Frankenstein’s steampunk apparatus, aka, the mélo chokes the drama!), to Troll 2, even worse than Troll, pulling on the very same strings as the first film, with the very same house eviscerated again by another strolling troll!, as well as a complete disregard for archaeological dig rules and with the ultimate lame resort to holy water! Catching a few views of the Jotunheimen peaks, though (which we hiked 35 years ago).

a journal of the plague year [lazier August reviews]

Posted in Books, Kids, pictures with tags , , , , , , , , , , , , , , , , , , , , on September 5, 2020 by xi'an

Read a wonderful collection of short stories set in the same universe and spirit as Jonathan Strange & Mr. Norrell, The Ladies of Grace Adieu, by Susanna Clarke. With the same pleasure as I read the original novel, since the style is similarly subtle and refined, with a skilled work(wo)manship in relating the stories and a bittersweet pleasure in contemplating this alternative England where some magic lingered, although in a vanishing way. The first short story is incredibly powerful, especially for being a “first story” Susanna Clarke wrote for a writing course. To quote Neil Gaiman on his reception of the story, “It was terrifying from my point of view to read this first short story that had so much assurance. It was like watching someone sit down to play the piano for the first time and she plays a sonata.” Plus the book itself is beautifully made, from its old-fashioned binding to its pastiche of 19th century Romantic drawings. (I cannot make sense of the “Grace Adieu” village name, which would mean farewell to Grace or graceful farewell in French. Or yet thank Dog if misspelled as grâce à dieu…)

Followed a should-watch suggestion from a highly positive review on the New York Times and watched The Half of it, not to be confused with The Other Half which I did not watch… Nor the other The Other Half. The story is one of a love triangle (that the NYT relates to Cyrano, rather grandiloquently!, even though the notion of writing love letter for someone else and as a result the writer falling in love… is there indeed). Taking place in a sleepy little town on the Pacific North-West, near Wenatchee. The story is far from realistic, as far as I can tell, with almost invisible adults and with senior high teenagers behaving like adults, at least for the two main female characters, most of the teens working after class while also writing essays on Sartre and Plato, and discussing Remains of the Day for its philosophical implications. A wee bit unrealistic, with some allegoric scenes such as floating head to head in a hot spring, outing their love declaration like tragic Greek comedians in a full church. But the actresses are brilliant and escape the paper-thin constriction of their character into something deeper, by conveying uncertainty and then more uncertainty while building their own life into something grander. Not the unbearable lightness of being but certainly with enough substance to reach beyond the “charming queer love comedy” summarised in The Guardian.

Ate tomatoes from the garden for almost every lunch in August as there were so many, surprising free from bugs and birds. And had a toasted squash lunch, skin included. Peppers are still at the growing stage… And my young olive tree may have irremediably suffered from the heatwave, despite regular watering.

Also per chance noticed that the one-hundred year-old man who climbed out of the window and disappeared hilarious book had been turned into a film. And had an enjoyable time watching the understated play of this hundred-year old and his hundred year story. And listening to the multilingual if mostly Swedish original sound-track. (Incidentally, yet another intrusion of the 1930s eugenism with a racialist (!) doctor sterilising the central character to stop his fascination and experimentation with explosives.)

Rewatched Manhattan Murders Mystery, which I had not seen since it came out in the early 1990s. Once I got into the spirit that this was filmed theater, rather than fixating on the (ir)realism of the plot, it became hilarious (starting with the urge to invade Poland when listening to Wagner for too long) and I could focus on references to older movies, although I must has missed the bulk of these references. For instance, the pas de deux of Allen and Keaton at the melting factory has a strong whiff of Astaire and Rogers step-dancing. The shooting scene in the movie theater is explicitly linked with Orson Wells, seen behind the screen in The Lady from Shanghai.